Quantumly Entangled
A New 2-Act Play from Pamela Hill Nettleton
“A Rom-Com for the Woodstock Generation”
“Love and Rock’N’Roll in the Time of AARP”
Romance isn’t only for the unwrinkled. For 68-year-old rock legend Zee, her ex-bass player Mitch, and her old high school boyfriend Griff, passion and heartbreak is as befuddling and audacious today as when they were in their twenties. Music legend Zee left the public eye in the 1970s, when Griff married another woman and Mitch abandoned her. Since then, she’s lived a happy though cloistered single life making music for herself, licensing her name to designer jeans, and hanging out with her charming teenage grandson Sam and her longtime manager Annie. Chastely, confusingly, and unconventionally, Zee and still-married Griff continue their friendship. Griff takes Sam fishing and helps Zee around the house, neither openly acknowledging their deep and continuing affection for each other—except for writing one love letter every other year on their anniversary. When 40-year-old music journalist Huck interviews Zee for a New York Times Magazine article on has-been rock stars who aren’t dead yet, he sparks a tumultuous reunion between long-separated Zee and Mitch that disrupts everyone’s lives—and fuels Huck’s own attraction to Zee, despite their age difference. While Annie encourages Zee to rekindle her long-ago success, Zee must choose between her past and future. As a sort of Greek chorus, a physicist in his lab explains quantum entanglement as attachment on the cellular level that transcends time and space—a kind of universal magic. They all explore the mysteries of attraction and how love, in its many forms, may be pre-ordained, inescapable, and literally written in the stars.
Reading June 2, 2025 produced by Prime Productions, Minneapolis
- ZEE played by Suzanne Egli
- ANNIE played by Sue Scott
- MITCH played by Mark Benninghofen
- GRIFF played by Bill McCallum
- HUCK played by Toussaint Morrison
- SAM played by Quinlan Nettleton
- PHYSICIST played by James Detmar
- STAGE DIRECTIONS by Mark Bergren
Nutcracker: The Untold Story
Script by Pamela Hill Nettleton, Illustrated by Maurice Sendak, Performed by Eiji Oue and the Minnesota Orchestra, danced by James Sewell Ballet, 1997
Nutcracker: The Untold Story, with Maurice Sendak, premiered by the Minnesota Orchestra and James Sewell Ballet, 1997 (YouTube)
Live Performances
- The Metropolitan Symphony Orchestra, Jan and Feb 2016
- Redwood Symphony, California, 2014
- St. Cloud Symphony Orchestra, 2002
Recordings, Video
- “Canzon septimi toni #2,” St. Cloud Symphony Orchestra, 2002
- “Nutcracker: The Untold Story,” Video Release, 1998
Awards
- Parent’s Choice Gold Award – 1998, Video Script
- National Parenting Publications (NAPPA) Gold Award – 1998, Video Script
- The Dove Foundation Family Approved Seal – 1998, Video Script
- Parenting Magazine’s Video Magic Award – 1998, Video Script
- Child Magazine’s Top Videos of the Year – 1998, Video Script
- Crayola Kids Holiday Videos – 1998, Video Script
- Sesame Street Parents Best Videos – 1998, Video Script
- Kid’s First! Coalition for Quality Children’s Media Award – 1997, Video Script
A Child's Garden of Monsters
Libretto by Pamela Hill Nettleton, Composed by Libby Larsen, Conducted by Marlene Pauleym
- The Metropolitan Symphony Orchestra, Feb 1 and 8, 2015
A Young Person's Guide to the Orchestra
- The Metropolitan Symphony Orchestra, February, 2015
A Carnival of Animals
- The Metropolitan Symphony Orchestra, February 6, 2011
The Animals Speak
- Katrina Benefit, Fitzgerald Theatre, St. Paul, 2005
The Junk Drawer
- Katrina Benefit, Fitzgerald Theatre, St. Paul, 2005
Mahler
- The Minnesota Orchestra, One-Actor Play, St. Paul, 2002
Shostokovich
- The Minnesota Orchestra, One-Actor Play, St. Paul, 2001
The Underwear Opera
- As written about in Glamour Magazine, Star Tribune
- Named “Best Classic Music Idea of 1997” by USA Today, 1997
“[An NHL] hockey player couldn’t help but see the words ‘garter belt’ and ‘seamed stockings’ on a piece of paper Nettleton was holding during a flight from Minneapolis to Las Vegas. ‘These guys are drinking and talking about, I don’t know—hat tricks,” she said, when “one of them leans across the aisle. You writing a letter to your boyfriend? I’m not ashamed to admit I’m reading it.” Nettleton…passed lyrics over the seats for their perusal. Mr. Curious Hockey Player remarked that he could picture the duet between the leads, a tenor and a soprano. “She’s listing all of the things women wear: teddies, garter belts, push-up bras and peignoirs, baby dolls,” said Nettleton. “He keeps singing T-shirts, boxers, and briefs.” Nettleton got off the plane and [called the composer]. “I’ve had a focus group and a market test, and it works with a clientele you would not believe would come to opera.”—C.J., Star Tribune
I Don't, I Don't
- The Playwright Center, Minneapolis, 1988
The Labor Room
- McKnight Theater, Ordway Theater, Minneapolis, 1988
- Mankato State University, Mankato, Minnesota, 1987
- Stage One: Collaboration, St. Paul, 1986
- Review from the Star Tribune [PDF Link]
“Nettleton’s play is a first-rate entertainment…Playwright Nettleton has a talent for writing comedy. At several points, she will set up a joke, hit the punch line squarely, neatly top it off with something even funnier and then add a third or fourth laugh line…A fine, funny evening.”
—David Hawley, St. Paul Pioneer Press
“Pre-opening ticket sales have been brisk…Friday’s performance was sold out several weeks ago.”
—St. Paul Pioneer Press
“Pamela Nettleton’s often hilarious, promising new play…reveals its author as a frequently deft purveyor of Simonesque one-line humor and a promising creator of distinct stage personalities. It certainly brought laughter on opening night.”
—Peter Vaughan, Star Tribune
